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Audiovisual Post-production

Scholar Year: 2021/2022 - 1S

Code: PA15    Acronym: PPA
Scientific Fields: Áudio-Visuais e Produção dos Media
Section/Department: Arts

Courses

Acronym N. of students Study Plan Curricular year ECTS Contact hours Total Time
TSPPA 21 5,0 52 135,0

Teaching weeks: 15

Head

TeacherResponsability
Pedro Miguel Rebelo FelícioHead

Weekly workload

Hours/week T TP P PL L TC E OT OT/PL TPL O S
Type of classes

Lectures

Type Teacher Classes Hours
Contact hours Totals 1 5,33
João Pedro Duarte   3,47

Teaching language

Portuguese

Intended learning outcomes (Knowledges, skills and competencies to be developed by the students)

Provide students with knowledge of fundamental concepts of audiovisual post-production, as well as the technical mastery of tools and processes for post-production of works of different natures, such as documentaries, fiction, reports or 2D / 3D animations.
Understand and apply audiovisual editing techniques.
Perform edits using non-linear software.
Apply effects, transitions and motion graphics considering as characteristics of audiovisual communication.
Design and develop forms and supports of audiovisual dissemination (formats for visualization in computer support, online dissemination, dvd-video)
Edit, finalize and master the projects recorded within the Audiovisual Production curricular unit.
Learn post-production standards and procedures.

Syllabus

The post-production workflow and the appropriateness to the audiovisual project
Post-production and the various videographic and cinematographic genres
Types of assembly
"The rule of six"
The importance of editing in diegetic construction (space, time, action and narrative).
The assemblage of continuity in narrative cinema
The audiovisual composition: Typology of plans; Movement and rhythm
The ellipse is the assembly.
Notion of space and time: the raccord
Equipment and programs for the non-linear edition of digital video.
Interchange formats and protocols.
Color Correction
Codec's, rendering and exporting.

Software

Blackmagic DaVinci Resolve

Adobe Media Encoder

Adobe Premiere

Adobe After Effects


Demonstration of the syllabus coherence with the UC intended learning outcomes

To value the relation between the technical and technological domain with the concept and the audiovisual language in order to enhance the artistic and creative facet.

Teaching methodologies

The methodology is based on the presentation of contents and theoretical-practical fundamentals with support to audiovisual and bibliographic resources and the practice of assembly exercises, in order to consolidate technical and artistic knowledge.
The presentation of theoretical contents will be followed by exercises / demonstrations carried out by the students.
The projects produced under the C.U. of Audiovisual Production will be post-produced
The progression in the post-production of the contents made by the students will be monitored and evaluated continuously.

Demonstration of the teaching methodologies coherence with the curricular unit's intended learning outcomes

Any student of this curricular unit must adapt and try working methods and find better fitted workflows for different situations.
The regular practice of editing exercises allows to consolidate the technological domain but, also, forces the confrontation with situations of diverse conditioners. The student, in search of solutions, both in planning and execution, triggers processes to approach and solve problems.
Thus, combining creative and technical skills, the student obtains adequate routines and methodologies to the post-production professional environment.

Assessment methodologies and evidences

The evaluation is continuous and will have the following weighting:
Technical domain of post-production media - 20%
Individual tests and exercises - 25%
Performance of roles and team collaboration - 15%
Group audiovisual product - 25%
Levels of involvement, relevant participation and attendance - 15%

Attendance system

Students who do not attend at least 75% of the practical classes will be excluded from the final evaluation.

Main Bibliography

Bricca, Jacob;Documentary Editing: Principles & Practice, Taylor & Francis Ltd, 2017. ISBN: 1138675733
Murch, Walter;IN THE BLINK OF AN EYE: A Perspec

Arijon, Daniel;Grammar of the Film Language, Silman-James Press, 1991. ISBN: 9781879505070

Observations

Students with a special status and who can not attend regularly the Curricular Unit may be evaluated on a continuous assessment basis, after negotiation with the C.U. faculty member. This negotiation may result in the definition of elements and moments of evaluation different from those presented in this program.
Students with normal status who do not obtain a grade in the assessment or who do not attend the course will be evaluated by a practical exam (on all contents exposed in this program), to be taken on a date to be defined by the ESE / IPS Board.

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Página gerada em: 2022-05-24 às 17:05:54